Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live
- テンポ
- 124
- キー
- E♭ Major
- キャメロットミュージックキー
- 5B
Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live - Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta 情報
- 音響性
- 98%
- ダンサビリティ
- 36%
- エネルギー
- 13%
- 手段性
- 46%
- 活気
- 11%
- ラウドネス
- 69%
- 話し言葉
- 4%
- 価数
- 28%
- 人気
- 28%
- ラウドネス
- -18.81 dB
まとめ
Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta's 'Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live' came out on January 1, 1985. Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta's "Mozart: Sinfonia concertante K.364; Concertone K.190" album is number 1 out of 6. Based on our statistics, Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live テンポ
We consider the tempo marking of Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live by Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Sinfonia Concertante in E-Flat Major, K. 364: 1. Allegro maestoso - Live キー
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | |
 | Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | |
 | Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | |
 | Mozart: Le Nozze di Figaro: Non piu andrai, farfallone amoroso - Act One | Wolfgang Amadeus Mozart, Sesto Bruscantini, Teresa Berganza, Mario Petri, Sena Jurinac, Teresa Stratas, Nucci Condo, Agostino Lazzari, Giorgio Tadeo, Lilia Reyes, Alfredo Mariotti, Angelo Degli Innocenti, Licia Scarpelli, Rosetta Arena, Rai Orchestra & Chorus | C Major | 3 | 8B | 72 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Sir Roger Norrington, Andreas Schmidt, Nancy Argenta, London Classical Players | D♭ Major | 1 | 3B | 178 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Verdi: Aida, Act 4 Scene 2: "O terra, addio, valle di pianti" (Aida, Radames, Amneris, Sacerdotesse, Sacerdoti) | Giuseppe Verdi, Birgit Nilsson, Franco Corelli, Grace Bumbry, Coro Del Teatro Dell'Opera Di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 1 | 3B | 86 BPM | |
 | Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | |
 | Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records