Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta made "Carmen Fantasy, Op.25: 1. Moderato" available on January 1, 1987. The duration of Carmen Fantasy, Op.25: 1. Moderato is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Carmen Fantasy, Op.25: 1. Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 9 in Fantasy Concerto On The Opera "Carmen" Opus 25 by Itzhak Perlman, Zubin Mehta, New York Philharmonic. Carmen Fantasy, Op.25: 1. Moderato is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Carmen Fantasy, Op.25: 1. Moderato by Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Violin Concerto in B Minor, Op. 3 No. 10, RV. 580: I. Allegro | Yehudi Menuhin | C Major | 2 | 8B | 74 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Jota aragonesa, Op. 27 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Major | 4 | 8B | 182 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM |