"Irish Tune from County Derry "Danny Boy"" by Joseph D. Price, James Horner, Will Jennings, Percy Grainger, Leonard Slatkin, St. Louis Symphony was released on 1981. Irish Tune from County Derry "Danny Boy" is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. This song is part of Vaughan Williams: Fantasia on a Theme by Thomas Tallis - Barber: Adagio for Strings - Grainger: Irish Tune from County Derry - Satie: Gymnopédies Nos. 1 & 3 - Fauré: Pavane by Leonard Slatkin, St. Louis Symphony, Erik Satie, Gabriel Fauré, Percy Grainger, Ralph Vaughan Williams. The song's track number on the album is #6 out of 6 tracks. Based on our data, United States was the country where this track was produced or recorded. Irish Tune from County Derry "Danny Boy" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Irish Tune from County Derry "Danny Boy" by Joseph D. Price, James Horner, Will Jennings, Percy Grainger, Leonard Slatkin, St. Louis Symphony has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Irish Tune from County Derry "Danny Boy" being at 70 テンポ, the half-time would be 35 テンポ with a double-time of 140 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 0 | 10B | 83 BPM | ||
Gurre-Lieder / Part 1: 1. Orchestral Prelude | Arnold Schoenberg, Boston Symphony Orchestra, Seiji Ozawa | E Major | 3 | 12B | 89 BPM | ||
Metropolis: I. Auftakt: In den Katakomben | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | G Major | 1 | 9B | 112 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM |