Robert Dowland, The Royal Wind Music, Paul Leenhouts's 'Amarilli mia bella' came out on September 20, 2009. The duration of Amarilli mia bella is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Amarilli mia bella's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Flute-Heaven of the Gods". In this album, this song's track order is #8. Amarilli mia bella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amarilli mia bella by Robert Dowland, The Royal Wind Music, Paul Leenhouts having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: End of 3rd Act – Lochaber | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 139 BPM | ||
Ricercare terzo | Girolamo Frescobaldi, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 131 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
Sir Thomas Monson, his Galliard | Robert Dowland, Paul O'Dette | A Major | 0 | 11B | 83 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VI. Pt. 5 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Violin Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
La Noce Champêtre ou L'Himen Pastoral: IV. Menuet 1 & 2, Contredanse, Cotillon | Jean Hotteterre, Dorothee Oberlinger | B Major | 2 | 1B | 117 BPM | ||
Sonata in F Major, Op. 2, No. 12, SF 767: IV. Largo | Benedetto Marcello, Dorothee Oberlinger | B♭ Minor | 2 | 3A | 64 BPM | ||
Canzon 19 a 8 | Giovanni Picchi, Flanders Recorder Quartet, Viola da Gamba Consort, Guy Penson | A♭ Major | 1 | 4B | 81 BPM |