"Sonata I in G Minor: III. Largho" by Giovanni Benedetto Platti, Gaetano Nasillo, Sara Bennici, Anna Fontana, Evangelina Mascardi was released on August 16, 2019. The duration of Sonata I in G Minor: III. Largho is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Sonata I in G Minor: III. Largho's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Venetian Cello Sonatas. Under the Shade of Vivaldi by Gaetano Nasillo, Anna Fontana, Sara Bennici, Evangelina Mascardi. The song's track number on the album is #11 out of 30 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Sonata I in G Minor: III. Largho's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata I in G Minor: III. Largho by Giovanni Benedetto Platti, Gaetano Nasillo, Sara Bennici, Anna Fontana, Evangelina Mascardi has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata I in G Minor: III. Largho being at 130 テンポ, the half-time would be 65 テンポ with a double-time of 260 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 7 in D Major, I.84: III. Largho | Giovanni Benedetto Platti, Members of L'Arte dell'Arco, Francesco Galligioni | D Major | 0 | 10B | 72 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
For Several Friends: Suite in G Major-minor: I. Fantazie | Matthew Locke, Ensemble Masques | F Minor | 1 | 4A | 109 BPM | ||
Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Coro Giovanile, Marina Comparato | G Minor | 2 | 6A | 173 BPM | ||
Divisions on a Ground | Thomas Tollett, Lucie Horsch, Charlotte Barbour-Condini | F♯ Major | 1 | 2B | 109 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562: II. Allegro | Carl Philipp Emanuel Bach, Emmanuel Pahud | A Minor | 0 | 8A | 106 BPM |