"La Traviata, Act 2, Scene 1, Scene & Aria: Di Provenza il mar, il suol" by Giuseppe Verdi, Renato Bruson, Philharmonia Orchestra, Riccardo Muti was released on 1982. With this song being about 5 minutes long, at 4:47, "La Traviata, Act 2, Scene 1, Scene & Aria: Di Provenza il mar, il suol" by Giuseppe Verdi, Renato Bruson, Philharmonia Orchestra, Riccardo Muti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La traviata by Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra. The song's track number on the album is #24 out of 42 tracks. La Traviata, Act 2, Scene 1, Scene & Aria: Di Provenza il mar, il suol is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Traviata, Act 2, Scene 1, Scene & Aria: Di Provenza il mar, il suol by Giuseppe Verdi, Renato Bruson, Philharmonia Orchestra, Riccardo Muti has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Traviata, Act 2, Scene 1, Scene & Aria: Di Provenza il mar, il suol being at 79 テンポ, the half-time would be 40 テンポ with a double-time of 158 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Bizet: Carmen, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) | Georges Bizet, Maria Callas, Choeurs Rene Duclos, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | D Major | 1 | 10B | 102 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Carlo Bergonzi, Dame Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | B♭ Major | 2 | 6B | 138 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Verdi: La Traviata, Act 3 Scene 4: No. 8, Aria "Addio del passato bei sogni ridenti" | Giuseppe Verdi, Maria Callas, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Franco Ghione, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa | A Major | 1 | 11B | 76 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | E Major | 2 | 12B | 83 BPM | ||
La traviata*: Act I: Brindisi: Libiamo ne'lieti calici, "Drinking Song" (Alfredo, Chorus, Violetta) | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 1 | 6B | 69 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM |