"Gagliarda del Principe di Venosa" by Carlo Gesualdo, Ulsamer Collegium, Josef Ulsamer was released on January 1, 1985. The duration of Gagliarda del Principe di Venosa is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Gagliarda del Principe di Venosa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Terpsichore: Renaissance and Early Baroque Dance Music". In this album, this song's track order is #21. Gagliarda del Principe di Venosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gagliarda del Principe di Venosa by Carlo Gesualdo, Ulsamer Collegium, Josef Ulsamer having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Madrigals for 5 Voices: Io parto e non più dissi (Book 6, No. 6) | Carlo Gesualdo, Robert Craft, Grace-Lynne Martin, Marilyn Horne, Cora Lauridsen, Richard Robinson, Charles Scharbach | C Major | 2 | 8B | 63 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Mijn hert altijt heeft verlanghen | Pierre de la Rue, Capilla Flamenca | A Minor | 0 | 8A | 76 BPM | ||
Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | E Minor | 3 | 9A | 174 BPM | ||
ll est bel et bon, commere, mon mary: Il est bel et bon | Pierre Passereau, Scholars of London | C Minor | 3 | 5A | 135 BPM | ||
Tenebrae Responsories, Feria quinta: VI. Unus ex discipulis meis | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 79 BPM |