On January 1, 2007, the song "Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum" was released by Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova. The duration of Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 19 in Claudio Monteverdi: Vespro della Beata Vergine by Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. The popularity of Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Intonatio: Deus in adiutorium / Responsorium: Domine ad adiuvandum by Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova is Vivace (lively and fast), since this song has a tempo of 174 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Alcione, Acte II Scène 2: "L’injuste Ciel à mes maux m’abandonne" | Marin Marais, Jordi Savall, Cyril Auvity, Lisandro Abadie, Hasnaa Bennani, Le Concert Des Nations | B♭ Minor | 1 | 3A | 73 BPM | ||
Sinfonia in Re Minore A Più Strumenti Obbligati Op. 37, No. 3, G. 517 "Grande": Allegro Moderato | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | F Major | 1 | 7B | 147 BPM | ||
Magnificat en sol mineur, RV 610: III. Et misericordia eius | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 127 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Les Nimphes De La Grenouillere (Philidor) | Le Concert Des Nations, Jordi Savall | G Major | 2 | 9B | 99 BPM | ||
Madrigals, Book 8, SV 146–167: No. 16, Dolcissimo usignolo, SV 161 | Claudio Monteverdi, Cyril Costanzo, Hannah Morrison, Les Arts Florissants, Lucile Richardot, Miriam Allan, Paul Agnew | A Minor | 1 | 8A | 132 BPM | ||
Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: III. Gavotte en rondeau | Georg Philipp Telemann, Jordi Savall | B♭ Minor | 4 | 3A | 128 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: V. Sarabande | Georg Philipp Telemann, Jordi Savall | E♭ Minor | 1 | 2A | 126 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM |