"Concerto en fa majeur pour violon et orchestre Op.20 - Première partie (Andante - Allegro)" by Augustin Dumay, Michel Plasson, Orchestre Du Capitole De Toulouse was released on 1989. Concerto en fa majeur pour violon et orchestre Op.20 - Première partie (Andante - Allegro) appears to be safe for all ages as it is not explicit. The track order of this song in Augustin Dumay's "Lalo symphonie espagnole" album is number 6 out of 8. In terms of popularity, Concerto en fa majeur pour violon et orchestre Op.20 - Première partie (Andante - Allegro) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto en fa majeur pour violon et orchestre Op.20 - Première partie (Andante - Allegro) by Augustin Dumay, Michel Plasson, Orchestre Du Capitole De Toulouse to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation de Thaïs : Andante religioso | Augustin Dumay, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 90 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 1 | 1B | 79 BPM | ||
Concerto pour violoncelle No. 1 en Ut Majeur, Hob.VIIb. 1: Adagio | Franz Joseph Haydn, Orchestre royal de chambre de Wallonie, Augustin Dumay | A Minor | 2 | 8A | 140 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Piano Trio in G Minor, Op. 17: Allegretto | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | D Major | 2 | 10B | 121 BPM | ||
Valse-Scherzo, Op. 34, TH 58 for violin and orchestra | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | B Major | 1 | 1B | 185 BPM | ||
Berceuse sur le nom de Gabriel Fauré, M. 74 | Maurice Ravel, Augustin Dumay, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Divertimento in B-Flat Major, K. 254: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires, Augustin Dumay, Jian Wang | E♭ Major | 0 | 5B | 135 BPM | ||
Concerto for Violin and Cello in A minor, Op. 102: 2. Andante | Johannes Brahms, Anne-Sophie Mutter, Antonio Meneses, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 114 BPM |