"Grand Canyon Suite: 2. The Painted Desert" by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti was released on January 1, 1983. With this song being about 5 minutes long, at 5:25, "Grand Canyon Suite: 2. The Painted Desert" by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti's "Grofé: Grand Canyon Suite/Gershwin: Porgy & Bess" album is number 3 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Grand Canyon Suite: 2. The Painted Desert's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grand Canyon Suite: 2. The Painted Desert by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Music | Arnold Bax, Bryden Thomson, Ulster Orchestra | F Major | 0 | 7B | 72 BPM | ||
Symphony in C, H.I No.9: 2. Andante | Franz Joseph Haydn, Philharmonia Hungarica, Antal Doráti | G Major | 1 | 9B | 86 BPM | ||
Hungarian Rhapsody No.2 in D minor, S.359 No.2 | Franz Liszt, London Symphony Orchestra, Antal Doráti | C Major | 2 | 8B | 74 BPM | ||
Coppélia, Act III: No. 20, Fête de la cloche: e. L'hymen (Noce villageoise) | Léo Delibes, Minnesota Orchestra, Antal Doráti | E♭ Major | 5 | 5B | 86 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Symphony in A, H.I No.5: 4. Finale - Presto | Franz Joseph Haydn, Philharmonia Hungarica, Antal Doráti | A Major | 4 | 11B | 149 BPM | ||
Fancy Free Ballet: I. Enter Three Sailors | Leonard Bernstein | G Minor | 3 | 6A | 105 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Variation IX (Nimrod): Adagio | Edward Elgar, Leonard Slatkin, London Philharmonic Orchestra | C Major | 1 | 8B | 100 BPM |