Wolfgang Amadeus Mozart, WDR Sinfonieorchester Köln, Sir Roger Norrington's 'Symphony No. 25 in G Minor, K. 183: I. Allegro con brio' came out on January 1, 2007. Symphony No. 25 in G Minor, K. 183: I. Allegro con brio appears to be safe for all ages as it is not explicit. The track order of this song in Various Artists, Various Artists, Vitamin String Quartet, Wolfgang Amadeus Mozart, Wolfgang Amadeus Mozart, Sir Roger Norrington's "Mozart, W.A.: Symphonies (Essential), Vol. 1 - Nos. 1, 25, 41" album is number 4 out of 11. Symphony No. 25 in G Minor, K. 183: I. Allegro con brio is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 25 in G Minor, K. 183: I. Allegro con brio by Wolfgang Amadeus Mozart, WDR Sinfonieorchester Köln, Sir Roger Norrington to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Die Zauberflöte: Bewahret euch vor Weibertücken | Angèle Dubeau, Alain Marion, Wolfgang Amadeus Mozart | A Minor | 3 | 8A | 168 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | D Major | 1 | 10B | 81 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
String Quartet No. 1 in G Major, K. 80: IV. Rondeau: Allegro | Eder Quartet | G Major | 1 | 9B | 118 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM |