Angèle Dubeau, Alain Marion, Wolfgang Amadeus Mozart made "Die Zauberflöte: Bewahret euch vor Weibertücken" available on 1996. With Die Zauberflöte: Bewahret euch vor Weibertücken being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Angèle Dubeau's "Mozart: Transcriptions de la fin du XVIIIe siècle" album is number 6 out of 31. On top of that, United States appears to be the country where this track was created. The popularity of Die Zauberflöte: Bewahret euch vor Weibertücken is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Die Zauberflöte: Bewahret euch vor Weibertücken by Angèle Dubeau, Alain Marion, Wolfgang Amadeus Mozart to be Vivace (lively and fast) because the track has a tempo of 168 テンポ, a half-time of 84テンポ, and a double-time of 336 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
Symphony in D Major, Op. 18, No. 2: II. Andante | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 72 BPM | ||
Serenata notturna in D Major, K. 239: III. Rondeau (Allegretto - Adagio - Allegro) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Keyboard Sonata in C Minor, Kk. 11 | Domenico Scarlatti, Alon Goldstein | D Major | 1 | 10B | 107 BPM | ||
Symphony in C Major, Op. 2 No. 3 "The Chaplet": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 121 BPM | ||
Mon Amie Max (From "Mon Amie Max") | Angèle Dubeau, La Pietà | F♯ Minor | 2 | 11A | 87 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Trumpet Concerto No. 2 in E-Flat Major: I. Allegro ma moderatamente | Johann Wilhelm Hertel, Czech Philharmonic Chamber Orchestra, Petr Skvor, Miroslav Kejmar | E♭ Major | 1 | 5B | 117 BPM |