Martha Argerich's 'Kinderszenen (Scenes from Childhood), Op.15: 7. Träumerei (Dreaming)' came out on September 17, 2012. The duration of Kinderszenen (Scenes from Childhood), Op.15: 7. Träumerei (Dreaming) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Kinderszenen (Scenes from Childhood), Op.15: 7. Träumerei (Dreaming)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Chefs-d'oeuvre pour découvrir la musique classique, so we believe that "Kinderszenen (Scenes from Childhood), Op.15: 7. Träumerei (Dreaming)" is a single. Based on our statistics, Kinderszenen (Scenes from Childhood), Op.15: 7. Träumerei (Dreaming)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kinderszenen (Scenes from Childhood), Op.15: 7. Träumerei (Dreaming) by Martha Argerich is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring | Christian Sinding, Christian Ihle Hadland | F Minor | 1 | 4A | 76 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: 2. Intermezzo. Adagio - Live | Sergei Rachmaninoff, Martha Argerich, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | A♭ Major | 1 | 4B | 84 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM |