"Also sprach Zarathustra, Op.30: 1. Prelude (Sonnenaufgang)" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1993. With Also sprach Zarathustra, Op.30: 1. Prelude (Sonnenaufgang) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Strauss, R.: Also sprach Zarathustra; Don Juan". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Also sprach Zarathustra, Op.30: 1. Prelude (Sonnenaufgang) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op.30: 1. Prelude (Sonnenaufgang) by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Cavalleria rusticana: Siciliana - Tempo I | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 88 BPM | ||
William Tell: Overture | Gioachino Rossini, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 91 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale (Adagio lamentoso - Andante) | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 93 BPM | ||
Elektra: Vii. Was willst du? | Hugo von Hofmannsthal, Richard Strauss, Gunilla Söderström, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | G Major | 1 | 9B | 110 BPM | ||
Company: II. — | Philip Glass, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Arranged for Flute in A Minor | Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker | A Minor | 2 | 8A | 101 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 60 BPM |