Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker made "Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Arranged for Flute in A Minor" available on 2002. With this song being about 5 minutes long, at 4:33, "Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Arranged for Flute in A Minor" by Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 17 in Bach: Flute & Orchestral Works by Johann Sebastian Bach, Sefika Kutluer, Cord Garben, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Arranged for Flute in A Minor is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Arranged for Flute in A Minor by Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 128 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 87 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Passion selon Saint-Matthieu, BWV 244: "Erbarme dich, mein Gott" | Johann Sebastian Bach, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Zefira Valova | E Minor | 2 | 9A | 118 BPM |