"クライスラー:愛の喜び" by Fritz Kreisler, 四月は君の嘘 トゥインクル リトルスター was released on March 25, 2015. The duration of クライスラー:愛の喜び is about 3 minutes long, at 3:02. Based on our data, "クライスラー:愛の喜び" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 四月は君の嘘 トゥインクル リトルスター, so we believe that "クライスラー:愛の喜び" is a single. In terms of popularity, クライスラー:愛の喜び is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of クライスラー:愛の喜び by Fritz Kreisler, 四月は君の嘘 トゥインクル リトルスター is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 77: II. Adagio (Live) [Remastered 2022] | Johannes Brahms, Fritz Kreisler, The Bell Telephone Hour Orchestra, Donald Voorhees | D Minor | 1 | 7A | 87 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM | ||
Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) | Johan Halvorsen, Natalia Lomeiko, Yuri Zhislin | G Minor | 1 | 6A | 81 BPM | ||
2 Pieces for Cello and Orchestra, Op. 20: II. Serenade Espagnole (Arr. Kreisler) | Alexander Glazunov, Fritz Kreisler, Gil Sharon, Idith Zvi | A Major | 1 | 11B | 85 BPM | ||
La Campanella, Op.7 | Niccolò Paganini, David Garrett, Alexander Markovich | D Major | 1 | 10B | 102 BPM | ||
Violin Sonata No. 1 in G Major, Op. 78: Vivace ma non troppo | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Major | 1 | 10B | 78 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Lyric Pieces, Op. 43: No. 6 To Spring | Lang Lang | F♯ Major | 1 | 2B | 130 BPM |