Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 2 Scene 5: "Come tu mi odi!" (Scarpia, Tosca)' came out on 1953. With Puccini: Tosca, Act 2 Scene 5: "Come tu mi odi!" (Scarpia, Tosca) being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 2 Scene 5: "Come tu mi odi!" (Scarpia, Tosca) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 2 Scene 5: "Come tu mi odi!" (Scarpia, Tosca) by Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: La traviata, Act 1: "E strano! E strano!" (Violetta) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | D Minor | 1 | 7A | 179 BPM | ||
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
Ponchielli: La Gioconda, Act 2: "Laggiù nelle nebbie remote" (Laura, Enzo) | Amilcare Ponchielli, Fiorenza Cossotto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro | D Major | 1 | 10B | 76 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 1: Introduzione (Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | D Minor | 0 | 7A | 95 BPM | ||
Puccini: Madama Butterfly, Act 1: "Quale smania vi prende?" (Sharpless, Pinkerton) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 64 BPM | ||
Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) | Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 75 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM | ||
Puccini: Tosca, Act 3 Scene 1: Introduction (Andante sostenuto) - "Io de' sospiri" (Un Pastore) | Giacomo Puccini, Alvaro Cordova/Orchestra del Teatro alla Scala, Milano/Victor de Sabata, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | B Major | 5 | 1B | 88 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 2: Vanne, e li cela entrambi (Norma/Clotilde) | Vincenzo Bellini, Maria Callas, Edda Vincenzi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 0 | 8A | 80 BPM |