Johann Sebastian Bach, Akademie für Alte Musik Berlin, Stephan Mai made "Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4" available on January 11, 2011. The duration of Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4 is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 21 in Bach: Die Kunst der Fuge by Tha Trickaz, Creaky Jackals, Gregorio Allegri, A Sei Voci, Johann Sebastian Bach, Akademie für Alte Musik Berlin. In terms of popularity, Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Die Kunst der Fuge, BWV 1080: Contrapunctus 9. Doppelfuge über eine neues Thema und über das Hauptthema, a 4 by Johann Sebastian Bach, Akademie für Alte Musik Berlin, Stephan Mai is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Minor | 4 | 7A | 120 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |