"Tansman: Musique de cour d'après Robert de Visée: I. Entrée" by Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse was released on October 2, 2020. The duration of Tansman: Musique de cour d'après Robert de Visée: I. Entrée is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Tansman: Musique de cour d'après Robert de Visée: I. Entrée's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 21 in Aranjuez by Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Tansman: Musique de cour d'après Robert de Visée: I. Entrée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tansman: Musique de cour d'après Robert de Visée: I. Entrée by Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Violin Sonata No. 26 in B-Flat Major, K. 378: II. Andantino sostenuto e cantabile (Arr. L. Slavinsky for oboe and piano) | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Leonid Ogrintchouk | E♭ Major | 0 | 5B | 74 BPM | ||
Keyboard Suite in G Minor, HWV 432: Sonata in D Minor, HWV 475 (arr. A. Lagoya for 2 guitars) | Anonymous , George Frideric Handel, Ida Presti, Alexandre Lagoya | D Minor | 3 | 7A | 117 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
Suite en La: Courante | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 1 | 8A | 120 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Caccini: Il primo libro delle musiche: Chi desia di saper | Francesca Caccini, Philippe Jaroussky, Thibaut García | F Major | 1 | 7B | 133 BPM | ||
Sonata in D Major, K.119: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 2 | 10B | 126 BPM | ||
Bach, JS: Concerto for 2 Pianos in C Major, BWV 1061: II. Adagio ovvero largo | Johann Sebastian Bach, David Fray, Orchestre National Du Capitole De Toulouse | A Major | 1 | 11B | 190 BPM |