Gerald Barry, Alan Ewing, Joseph Hart, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act III: Miss Prism! (Live)" was released on its scheduled release date, November 4, 2014. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 30 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Importance of Being Earnest, Act III: Miss Prism! (Live) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Importance of Being Earnest, Act III: Miss Prism! (Live) by Gerald Barry, Alan Ewing, Joseph Hart, Birmingham Contemporary Music Group, Thomas Adès to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Garden of Eden: III. The Serpent's Kiss | William Bolcom, Spencer Myer | D Major | 2 | 10B | 113 BPM | ||
Golliwog's Cake-walk | Claude Debussy, Bruno Fontaine | D♭ Major | 1 | 3B | 150 BPM | ||
The Importance of Being Earnest, Act I: Will You Stop!! (Live) | Gerald Barry, Peter Tantsits, Joshua Bloom, Benjamin Bevan, Katalin Károlyi, Birmingham Contemporary Music Group, Thomas Adès | G Major | 2 | 9B | 111 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
The Importance of Being Earnest, Act II: I Had No Idea (Live) | Gerald Barry, Katalin Károlyi, Barbara Hannigan, Peter Tantsits, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès | G Major | 0 | 9B | 81 BPM | ||
The Art of Fugue, BWV 1080: Contrapunctus 1 | Johann Sebastian Bach, Keller Quartett | D Minor | 1 | 7A | 76 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 1. Grave - Allegro di molto e con brio | Ludwig van Beethoven, Daniel Barenboim | C Minor | 1 | 5A | 74 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM |