Sergei Rachmaninoff, Alexander Kniazev's 'Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante' came out on February 19, 2006. Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Rachmaninov & Chopin : Cello Sonatas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante by Sergei Rachmaninoff, Alexander Kniazev having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude | Johann Sebastian Bach, Alexander Kniazev | A Minor | 0 | 8A | 176 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Cello Concerto in E Minor, Op. 85: 3. Adagio | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | G Major | 0 | 9B | 94 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Variazione VI: Andante | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 82 BPM |