Wolfgang Amadeus Mozart, Paul Badura-Skoda, Jan Lisiecki, Bavarian Radio Symphony Orchestra, Christian Zacharias made "Piano Concerto No. 21 in C Major, K.467: III. Allegro vivace assai" available on January 1, 2012. Since Piano Concerto No. 21 in C Major, K.467: III. Allegro vivace assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Jan Lisiecki, Bavarian Radio Symphony Orchestra, Christian Zacharias's "Mozart: Piano Concertos Nos.20 & 21" album is number 6 out of 6. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 21 in C Major, K.467: III. Allegro vivace assai's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Piano Concerto No. 21 in C Major, K.467: III. Allegro vivace assai by Wolfgang Amadeus Mozart, Paul Badura-Skoda, Jan Lisiecki, Bavarian Radio Symphony Orchestra, Christian Zacharias to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
String Quartet No. 2 in D Major, K. 155: II. Andante | Eder Quartet | A Major | 1 | 11B | 99 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Mozart: Requiem in D Minor, K. 626: XI. Sanctus | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM |