"Tosca: "E Lucevan la Stelle" (Placido Version)" by Giacomo Puccini, Plácido Domingo was released on April 6, 2021. The duration of Tosca: "E Lucevan la Stelle" (Placido Version) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Tosca: "E Lucevan la Stelle" (Placido Version)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Tenores en Vivo. Pavarotti. Doming. Carreras.". In this album, this song's track order is #8. Tosca: "E Lucevan la Stelle" (Placido Version) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca: "E Lucevan la Stelle" (Placido Version) by Giacomo Puccini, Plácido Domingo having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Norma / Act 1: Casta Diva [Norma] | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 59 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
Tosti / Arr Schifrin: Around the World Part 7: Marechiare | Francesco Paolo Tosti, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | A♭ Minor | 2 | 1A | 139 BPM | ||
Una Furtiva Lagrima (Acto II) - L'Elisir d'Amore | Tito Schipa | B♭ Minor | 1 | 3A | 78 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Turandot: Act III - Nessun dorma - Vocal | Giacomo Puccini, Luis Cobos | D Minor | 0 | 7A | 71 BPM |