"Purcell: Chacony in G Minor, Z. 730" by Henry Purcell, Il Giardino Armonico, Alessandro Tampieri, Enrico Onofri, Marco Bianchi, Giovanni Antonini was released on 2008. With this song being about 5 minutes long, at 4:45, "Purcell: Chacony in G Minor, Z. 730" by Henry Purcell, Il Giardino Armonico, Alessandro Tampieri, Enrico Onofri, Marco Bianchi, Giovanni Antonini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 49 in the song's album "The Classical Guide to Purcell". In this album, this song's track order is #38. Purcell: Chacony in G Minor, Z. 730 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Chacony in G Minor, Z. 730 by Henry Purcell, Il Giardino Armonico, Alessandro Tampieri, Enrico Onofri, Marco Bianchi, Giovanni Antonini having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Passagaglia for solo violin from “Rosenkrantz Sonaten” | Heinrich Ignaz Franz von Biber, Thibault Noally | F♯ Minor | 2 | 11A | 77 BPM | ||
Suite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & Double | Johann Sebastian Bach, Dorothee Oberlinger, Edin Karamazov | B Minor | 1 | 10A | 128 BPM | ||
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Christina Pluhar, Sarah Ridy, Haru Kitamika, L'Arpeggiata | G Minor | 0 | 6A | 169 BPM |