"The Four Seasons, Concerto in F Major, RV 293 "Autumn": II. Adagio molto" by Saint Luke's Chamber Ensemble, Kyung Wha Chung was released on October 30, 2009. The duration of The Four Seasons, Concerto in F Major, RV 293 "Autumn": II. Adagio molto is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. The Four Seasons, Concerto in F Major, RV 293 "Autumn": II. Adagio molto's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Violin, so we believe that "The Four Seasons, Concerto in F Major, RV 293 "Autumn": II. Adagio molto" is a single. The Four Seasons, Concerto in F Major, RV 293 "Autumn": II. Adagio molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Four Seasons, Concerto in F Major, RV 293 "Autumn": II. Adagio molto by Saint Luke's Chamber Ensemble, Kyung Wha Chung is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
H.M.S. Pinafore / Act 1: Now give three cheers...I am the monarch of the sea | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, John Reed, Joyce Wright, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 93 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 87 BPM | ||
Atalanta, HWV 35, Act I: Care selve | George Frideric Handel, Pretty Yende, Coronation Orchestra, Antonio Pappano, Matthew Jorysz | A Major | 2 | 11B | 119 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "And then shall your light break forth" | Felix Mendelssohn, Renée Fleming, Patricia Bardon, John Mark Ainsley, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 0 | 3A | 79 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Zelmira: Perchè mi guardi, e piangi | Gioachino Rossini, Deborah Voigt/Kathleen Kuhlmann/Sir Roger Norrington, Sir Roger Norrington, Orchestra of St. Luke's, Saint Luke's Chamber Ensemble | E♭ Major | 3 | 5B | 92 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM |