"4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen" by Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan was released on May 10, 2024. 4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The track order of this song in Richard Strauss, Herbert von Karajan's "Karajan A-Z: Richard Strauss" album is number 76 out of 177. On top of that, Germany appears to be the country where this track was created. 4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen by Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | ||
Piano Sonata in B Minor, Op. 5, TrV 103: II. Adagio cantabile | Richard Strauss, Stefan Veselka | A♭ Major | 1 | 4B | 91 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM |