"7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): I. Un peu triste (after Prelude No. 10)" by Dmitri Shostakovich, Lawrence Power, Simon Crawford-Phillips was released on January 27, 2012. With 7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): I. Un peu triste (after Prelude No. 10) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Shostakovich: Viola Sonata; Pieces from The Gadfly; 7 Preludes, Op. 34". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. 7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): I. Un peu triste (after Prelude No. 10) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): I. Un peu triste (after Prelude No. 10) by Dmitri Shostakovich, Lawrence Power, Simon Crawford-Phillips having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): V. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 86 BPM | ||
Wanderlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
Suite sur des mélodies populaires grecques du Dodécanèse: I. Air de Karpathos | Yannis Constantinidis, Danae Papamattheou-Matschke, Uwe Matschke | A Minor | 1 | 8A | 83 BPM | ||
Requiem in D Minor, K. 626 (Arr. for Piano 4-Hands by C. Czerny): V. Sanctus | Wolfgang Amadeus Mozart, Jürgen Appell, Kerstin Straßburg | D Minor | 1 | 7A | 99 BPM | ||
Rhapsodie Hongroise for flute and piano, Op. 385: Maestoso - Adagio - Presto - Remastered | Wilhelm Popp, Eric Lamb, Mari Kato | D Minor | 0 | 7A | 69 BPM | ||
Epilogue | Rebecca Clarke, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
Duo concertant, K54: V. Dithyrambe | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Lyssenko: Rhapsody on Ukrainian Themes No. 2, Op. 18: II. Shumka (Version for Piano Solo) | Mykola Lysenko, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM |