"Metamorphoses, Book 1: No. 10, The Blue Rider (Wassily Kandinsky, 1903)" by George Crumb, Marcantonio Barone was released on November 5, 2021. The duration of Metamorphoses, Book 1: No. 10, The Blue Rider (Wassily Kandinsky, 1903) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Metamorphoses, Book 1: No. 10, The Blue Rider (Wassily Kandinsky, 1903)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Crumb, Marcantonio Barone's "George Crumb: Metamorphoses, Books 1 & 2" album is number 10 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, Metamorphoses, Book 1: No. 10, The Blue Rider (Wassily Kandinsky, 1903)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Metamorphoses, Book 1: No. 10, The Blue Rider (Wassily Kandinsky, 1903) by George Crumb, Marcantonio Barone to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Qi - I. Lucid Flight | Evan Ziporyn, Brooklyn Rider | D Major | 3 | 10B | 159 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 1, Seit ich ihn gesehen | Robert Schumann, Claudia Barainsky, Delian Quartett | B♭ Major | 0 | 6B | 80 BPM | ||
In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 0 | 8B | 139 BPM | ||
Star-Child: No. 2, Vox clamans in deserto | George Crumb, Susan Narucki, Joseph Alessi, Warsaw Philharmonic Orchestra, Thomas Conlin | G Major | 0 | 9B | 131 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Kronos-Kryptos (Version for Percussion Quintet): II. A Ghostly Barcarolle | George Crumb, Ensemble 20/21 | D♭ Major | 0 | 3B | 110 BPM | ||
Schnittke: Cello Sonata No. 1, Op. 129: I. Largo | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse | Karol Szymanowski, Elizabeth Chang, Steven Beck | E♭ Minor | 2 | 2A | 174 BPM | ||
Cage: The Perilous Night: I. | John Cage, Bertrand Chamayou | C Minor | 1 | 5A | 88 BPM |