Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit)' came out on January 1, 2005. The duration of Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 18 out of 37. On top of that, United States appears to be the country where this track was created. Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Undine: Act IV: Dialogue: Lasst uns jetzt wieder hineingehen (Hans, Veit) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Der Fischer und das Milchmädchen: VIII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Zar und Zimmermann, LoWV 38 / Act 2: Dialog: "Vorwärts, vorwärts..." | Albert Lortzing, Therese Anders, Walther Ludwig, Wolfram Zimmermann, Gustav Neidlinger, Ellinor Junker-Giesen, Chorus of the Württemberg State Opera, Stuttgart | B♭ Major | 2 | 6B | 64 BPM | ||
Entspannungsreise für Erwachsene: Reise durch Tschechien (inklusive DIE MOLDAU von Friedrich Smetana).3 - Entspannungsreisen für Erwachsene: Fantasiereisen / Mentalreisen / Traumreisen / Ruheoasen zum Loslassen und zur Stressbewältigung | Institut für Stressbewältigung | E Major | 2 | 12B | 73 BPM | ||
L'italiana in Algeri: Atto I. Sinfonia | Gioachino Rossini, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 2 | 10B | 148 BPM | ||
Inno delle nazioni: III. Andante mosso | Giuseppe Verdi, Freddie De Tommaso, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | F♯ Major | 1 | 2B | 69 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 2: I. Allegro moderato | Louis Spohr, Ulf Hoelscher, Berlin Radio Symphony Orchestra, Christian Frohlich | C Major | 1 | 8B | 110 BPM | ||
世界名曲:土耳其進行曲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 4 | 6B | 118 BPM | ||
Le carnaval des animaux, R. 125: IV. Tortues | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 87 BPM | ||
Christus am Ölberge, Op. 85: 6c. "Welten singen Dank und Ehre" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | C Major | 3 | 8B | 106 BPM | ||
Zar und Zimmermann, LoWV 38 / Act 3: Dialog: "Peter Michaelow..." | Albert Lortzing, Ellinor Junker-Giesen, Horst Gunter | C Major | 3 | 8B | 151 BPM |