Luigi Boccherini, Fabio Biondi's 'Guitar Quintet No.4 in D: IV. Fandango (extract)' came out on October 29, 2012. The duration of Guitar Quintet No.4 in D: IV. Fandango (extract) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Guitar Quintet No.4 in D: IV. Fandango (extract)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Chamber Music, so we believe that "Guitar Quintet No.4 in D: IV. Fandango (extract)" is a single. In terms of popularity, Guitar Quintet No.4 in D: IV. Fandango (extract) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Guitar Quintet No.4 in D: IV. Fandango (extract) by Luigi Boccherini, Fabio Biondi is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Minor: III. Courante La Mignonne | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 131 BPM | ||
Passacaglia in D Minor | Johann Caspar Ferdinand Fischer, Trevor Pinnock | D♭ Minor | 4 | 12A | 109 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Alcina, HWV 34 / Overture: Musette | George Frideric Handel, Il Complesso Barocco, Alan Curtis | F♯ Minor | 1 | 11A | 124 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Sinfonia in D Major, BWV 1045: II. Adagio e piano sempre | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 171 BPM |