Daniel Barenboim made "Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.5 in D major BWV874" available on 2004. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 57 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.5 in D major BWV874 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.5 in D major BWV874 by Daniel Barenboim is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Don Juan: Gavotte (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | E♭ Major | 0 | 5B | 77 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : III Courante | Pablo Casals | G Major | 2 | 9B | 170 BPM | ||
Concerto for 2 Oboes in C Major, RV 534: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Suite en Sol: L'Indifférente | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 1 | 6A | 69 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.20 in A minor BWV889 | Daniel Barenboim | E♭ Major | 5 | 5B | 132 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | G Minor | 1 | 6A | 173 BPM | ||
Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 11 in B Major | Dmitri Shostakovich, Keith Jarrett | A♭ Minor | 2 | 1A | 142 BPM |