Dmitri Shostakovich, Keith Jarrett made "Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 11 in B Major" available on June 1, 1992. The duration of Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 11 in B Major is about 3 minutes long, at 3:21. Based on our data, "Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 11 in B Major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 24 in Dmitri Shostakovich: 24 Preludes And Fugues, Op. 87 by Dmitri Shostakovich, Keith Jarrett. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 11 in B Major's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 11 in B Major by Dmitri Shostakovich, Keith Jarrett is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Symphony No. 14 in G Minor, Op. 135: VI. Les attentives II | Dmitri Shostakovich, Kristine Opolais, Alexander Tsymbalyuk, Boston Symphony Orchestra, Andris Nelsons | G Major | 1 | 9B | 87 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM |