Nun ist das Heil und die Kraft, BWV 50 - Johann Sebastian Bach, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner 情報

音響性: 97%
ダンサビリティ: 49%
エネルギー: 34%
手段性: 10%
活気: 9%
ラウドネス: 73%
話し言葉: 3%
価数: 57%
人気: 8%
ラウドネス: -16.366 dB

まとめ

Johann Sebastian Bach, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Nun ist das Heil und die Kraft, BWV 50" available on January 1, 2000. The duration of Nun ist das Heil und die Kraft, BWV 50 is about 3 minutes long, at 3:14. Based on our data, "Nun ist das Heil und die Kraft, BWV 50" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 41 in Bach, J.S.: Cantatas, Vol. 7 - Bwv 17, 19, 25, 50, 78, 130, 149 by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Nun ist das Heil und die Kraft, BWV 50's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Nun ist das Heil und die Kraft, BWV 50 テンポ

The tempo marking of Nun ist das Heil und die Kraft, BWV 50 by Johann Sebastian Bach, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Nun ist das Heil und die Kraft, BWV 50 キー

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Ana-Marija Markovina	F Minor	2	4A	76 BPM
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Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2	Felix Mendelssohn, Péter Nagy	F♯ Minor	1	11A	166 BPM
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Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude	Johann Sebastian Bach, Yo-Yo Ma	C Minor	2	5A	88 BPM
Suite in B-Flat Major, HWV 434: IV. Menuet	George Frideric Handel, Khatia Buniatishvili	G Minor	0	6A	59 BPM
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872	Daniel Barenboim	D♭ Major	0	3B	133 BPM
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio	Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt	D Minor	4	7A	120 BPM

ISRC: GBHNG0400379
レコードレーベル: L-M Records/RCA Records