"Die Walküre, WWV 86B: Ride of the Valkyries" by Richard Wagner, George Szell, Cleveland Orchestra had its release date on 1962. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Orchestral Music from Der Ring des Nibelungen, WWV 86, Die Meistersinger von Nürnberg, WWV 96 & Tristan und Isolde, WWV 90 by Richard Wagner, George Szell. The song's track number on the album is #2 out of 8 tracks. Based on our data, United States was the country where this track was produced or recorded. Die Walküre, WWV 86B: Ride of the Valkyries is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B: Ride of the Valkyries by Richard Wagner, George Szell, Cleveland Orchestra has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, WWV 86B: Ride of the Valkyries being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Ballet suite, Op.20: Dance of the swans | Belgrad Philharmonic Orchestra, Igor Markevitch | F♯ Major | 0 | 2B | 95 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Mercadante : Concerto in E Minor for Flute and String Orchestra: III. Rondo | Saverio Mercadante, Jean-Pierre Rampal, Claudio Scimone, I Solisti Veneti | E Minor | 2 | 9A | 88 BPM | ||
Maskarade (Masquerade) | Aram Khachaturian, Yuri Simonov, Royal Philharmonic Orchestra | C Major | 4 | 8B | 174 BPM | ||
Tannhäuser, WWV 70 / Act III: "Heil ! Heil! Der Gnade Wunder Heil!" | Richard Wagner, Josef Greindl, Eberhard Wächter, Gerhard Stolze, Franz Crass, Georg Paskuda, Gerd Nienstedt, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | F Major | 2 | 7B | 68 BPM | ||
Cinderella, Op.87: 50. Amoroso | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 2 | 7B | 80 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Sinfonia | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | E Major | 1 | 12B | 100 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, New Philharmonia Orchestra, Sir Adrian Boult | E Major | 0 | 12B | 74 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM |