Christian Lindberg, Taipei Symphony Orchestra's 'Devil´s Train to Hell I' came out on April 24, 2024. With Devil´s Train to Hell I being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 13 in the song's album "Taipei Symphony: In Focus". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Devil´s Train to Hell I's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Devil´s Train to Hell I by Christian Lindberg, Taipei Symphony Orchestra having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concerto (arr. B. Free): II. Andante piu mosso | Nathaniel Shilkret, Bryan Free, Christian Lindberg, Orquestra Sinfônica do Estado de São Paulo, John Neschling | A Major | 0 | 11B | 131 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
Symphonic Dances from West Side Story: No. 10, Finale. Adagio (Live) | Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg | F Minor | 3 | 4A | 99 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Trombone Concerto: IV. Allegro | Kazimierz Serocki, Christian Lindberg, Swedish Radio Symphony Orchestra, Leif Segerstam | F Major | 2 | 7B | 84 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): XII. The Prince Despairs | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Prokofiev: Symphony No. 4 in C Major, Op. 47: I. Andante assai - Allegro eroico | Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France | C Major | 1 | 8B | 122 BPM |