Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg's 'Symphonic Dances from West Side Story: No. 10, Finale. Adagio (Live)' came out on March 2, 2018. The duration of Symphonic Dances from West Side Story: No. 10, Finale. Adagio (Live) is about 3 minutes long, at 3:02. Based on our data, "Symphonic Dances from West Side Story: No. 10, Finale. Adagio (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 22 in Bernstein: On the Waterfront by Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Symphonic Dances from West Side Story: No. 10, Finale. Adagio (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonic Dances from West Side Story: No. 10, Finale. Adagio (Live) by Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
West Side Story: Act II: Tonight - Quintet | Leonard Bernstein, Johnny Green, Jim Bryant, Marni Nixon, Betty Wand, West Side Story Orchestra | C Major | 4 | 8B | 80 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
3 Preludes for Piano Solo: 2. Andante con moto e poco rubato - w/o applause | George Gershwin, Leonard Bernstein | A Major | 3 | 11B | 120 BPM | ||
Night on Bald Mountain | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | D Major | 2 | 10B | 105 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM |