"The Rach. 3 (Part One)" by David Helfgott, Orchestra, Ricky Edwards had its release date on January 1, 1996. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 34 in the song's album "Shine - Original Motion Picture Soundtrack". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, The Rach. 3 (Part One)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rach. 3 (Part One) by David Helfgott, Orchestra, Ricky Edwards having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
Piano Trio No. 2 in E-flat Major, D.929, Op. 100: II. Andante con moto | Franz Schubert, Sonia Wieder-Atherton, Raphaël Oleg, Imogen Cooper | B♭ Major | 5 | 6B | 180 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
The Heart Asks Pleasure First | Michael Nyman | A Minor | 1 | 8A | 136 BPM | ||
Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
La stanza del figlio | Nicola Piovani | C Major | 1 | 8B | 108 BPM | ||
Claude Debussy: Clair de lune (Suite bergamasque) | Claude Debussy, Aldo Ciccolini | D♭ Major | 0 | 3B | 62 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM |