Michael Nyman's 'The Heart Asks Pleasure First' had a release date set for May 4, 2007. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The Piano Sings". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Heart Asks Pleasure First's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Heart Asks Pleasure First by Michael Nyman having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Di Mario: Valzer in A Minor | Roberta Di Mario, Empty Room String Ensemble | F Major | 4 | 7B | 97 BPM | ||
Farewell to Stromness (Arr. for Orchestra) | Peter Maxwell Davies, Philharmonia Orchestra, Christopher Warren-Green | D Major | 0 | 10B | 59 BPM | ||
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
Revolving Door | Abel Korzeniowski | E♭ Major | 1 | 5B | 76 BPM | ||
The Eternal Vow | Tan Dun, Yo-Yo Ma, Chen Xie Yang, Shanghai Symphony Orchestra, Shanghai National Orchestra | D Minor | 0 | 7A | 83 BPM | ||
Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Andreas Staier, Daniel Sepec, Roel Dieltiens | C Minor | 0 | 5A | 96 BPM | ||
Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | E Major | 0 | 12B | 113 BPM | ||
Impromptu (Thomas's piece) | Missy Mazzoli, Joshua Bell, The Kaprálová Orchestra | B♭ Major | 2 | 6B | 93 BPM | ||
Symphony No. 2 "Under the Trees' Voices": V. Finale, presto, Between men and trees - Live | Ezio Bosso, Orchestra Filarmonica '900 del teatro Regio di Torino | A♭ Major | 8 | 4B | 101 BPM | ||
Mozart: The Logue Method (Mozart: The Marriage of Figaro / Clarinet Concerto mvt 1) | Wolfgang Amadeus Mozart, Terry Davies, Members Of The London Symphony Orchestra | A Major | 1 | 11B | 122 BPM |