Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride made "21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor" available on July 1, 2016. The duration of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor is about 3 minutes long, at 3:00. Based on our data, "21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 24 in Brahms: Violin Concerto in D Major & 21 Hungarian Dances by Johannes Brahms, Joseph Joachim, Baiba Skride, Sakari Oramo, Lauma Skride. Based on our statistics, 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor by Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride is Vivace (lively and fast), since this song has a tempo of 158 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Piano Trio No. 3 in C Minor, Op. 101: II. Presto non assai | Johannes Brahms, Florestan Trio | F Minor | 0 | 4A | 89 BPM | ||
Abbey Road concerto for Violin and Orchestra: III. Intermezzo 1 - Oh Darling | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 99 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 3 in F Major | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | F Major | 1 | 7B | 83 BPM | ||
Shostakovich - Preludes, Op. 34 - No. 24, Allegretto | Leonid Kogan | D Minor | 1 | 7A | 169 BPM | ||
Lieder Ohne Worte, Zweites Heft, Op. 30 (Arr. for Violin and Piano by Ferdinand David): V. Venetianisches Gondellied: Allegretto tranquillo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Tasmin Little, Piers Lane | B♭ Major | 0 | 6B | 79 BPM | ||
Rondo in G Minor, Op. 94, B. 171 | Antonín Dvořák, Stephen Hough, Steven Isserlis | D Major | 0 | 10B | 101 BPM |