"Porta: Ifigenia in Aulide: "Madre diletta, abbracciami" (Ifigenia)" by Giovanni Porta, Joyce DiDonato, Il Complesso Barocco, Alan Curtis had its release date on October 8, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 13 in Drama Queens by Joyce DiDonato, Il Complesso Barocco, Alan Curtis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Porta: Ifigenia in Aulide: "Madre diletta, abbracciami" (Ifigenia) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Porta: Ifigenia in Aulide: "Madre diletta, abbracciami" (Ifigenia) by Giovanni Porta, Joyce DiDonato, Il Complesso Barocco, Alan Curtis is Vivace (lively and fast), since this song has a tempo of 169 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM | ||
Udite o cieli: Aria: Ahi! dov'e quella calma | Giovanni Porta, Ann Hallenberg, Wolfgang Katschner, Lautten Compagney, Ditte Andersen | D♭ Minor | 1 | 12A | 76 BPM | ||
Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | E Minor | 1 | 9A | 98 BPM | ||
Cello Sonata in C major, Op.5, No.3: 3. Affettuoso | Francesco Geminiani, Heinrich Schiff, Ton Koopman, Jaap Ter Linden | C Minor | 0 | 5A | 173 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera | Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Il Giustino, RV 717, Act I, Scene 8: Vedrò con mio diletto (Anastasio) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Silke Gäng | A Major | 0 | 11B | 168 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM |