"Albéniz: Iberia, Cuaderno III: No. 7, El Albaicín" by Isaac Albéniz, Michel Block was released on March 8, 2024. Since Albéniz: Iberia, Cuaderno III: No. 7, El Albaicín is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 13 in Albéniz: Iberia by Isaac Albéniz, Michel Block. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Albéniz: Iberia, Cuaderno III: No. 7, El Albaicín is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albéniz: Iberia, Cuaderno III: No. 7, El Albaicín by Isaac Albéniz, Michel Block is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Cavatina | John Williams | E Major | 0 | 12B | 95 BPM | ||
Satie: 6 Gnossiennes: V. No. 5 | Erik Satie, Fazıl Say | G Minor | 0 | 6A | 170 BPM | ||
Estudios Sencillos XVI : Grave | Leo Brouwer, Thibault Cauvin | D Major | 2 | 10B | 0 BPM | ||
Suite Española No. 1, Op. 47 (Arr. Laura Lootens for Solo Guitar): No. 5, Asturias (Leyenda) | Isaac Albéniz, Laura Lootens | E♭ Minor | 2 | 2A | 114 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" | Franz Liszt, Goran Filipec | A♭ Minor | 2 | 1A | 115 BPM |