"Andrea Chenier (Sung in German): Act III: Verloren! (Gerard)" by Umberto Giordano, Hans Hopf, Josef Metternich, Marianne Schech, Elisabeth Löw-Szöky, Kieth Engen, Walter Berry, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch was released on September 1, 2014. The duration of Andrea Chenier (Sung in German): Act III: Verloren! (Gerard) is about 3 minutes long, at 3:29. Based on our data, "Andrea Chenier (Sung in German): Act III: Verloren! (Gerard)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 41 in Andrea Chenier (Sung in German) (1956) by Umberto Giordano, Wolfgang Sawallisch. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Andrea Chenier (Sung in German): Act III: Verloren! (Gerard)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Andrea Chenier (Sung in German): Act III: Verloren! (Gerard) by Umberto Giordano, Hans Hopf, Josef Metternich, Marianne Schech, Elisabeth Löw-Szöky, Kieth Engen, Walter Berry, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Non ti scordar di me (Arr. for Soprano, Tenor and Orchestra by Giancarlo Chiaramello) | Ernesto de Curtis, Anna Netrebko, Yusif Eyvazov, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 2 | 11B | 81 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | B Minor | 1 | 10A | 83 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | E Major | 1 | 12B | 100 BPM | ||
Recondita armonia - Tosca | Giuseppe Di Stefano | F Major | 2 | 7B | 168 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Spargi d’amaro pianto | Renata Scotto | E♭ Major | 1 | 5B | 129 BPM | ||
L'elisir d'amore: Act II: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 112 BPM |