"Concierto para piano No. 2 in C Minor, Op. 18: I. Moderato" by Orquesta de la Sociedad de Música de Viena, Michael Gielen, Felicja Blumenthal was released on September 30, 1976. Concierto para piano No. 2 in C Minor, Op. 18: I. Moderato appears to be safe for all ages as it is not explicit. There are a total of 3 in the song's album "Rachmaninoff: Concierto para piano No. 2 in C Minor, Op. 18". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Spain. Concierto para piano No. 2 in C Minor, Op. 18: I. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concierto para piano No. 2 in C Minor, Op. 18: I. Moderato by Orquesta de la Sociedad de Música de Viena, Michael Gielen, Felicja Blumenthal having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heidenröslein, D. 257 (Op.3/3) | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 80 BPM | ||
Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 5 | 10B | 116 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: III. MENUETTO (ALLEGRETTO) AND TRIO | Jeffrey Tate | G Major | 1 | 9B | 139 BPM | ||
Cuadros de una exposición para orquesta: Paseo I | Orquesta Filarmónica de Slavonia, Alberto Lizzio | F Major | 1 | 7B | 79 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Suite N2. Cancion De Solveig | Orquesta Sinfónica De Radio Hamburgo | E Minor | 0 | 9A | 65 BPM | ||
練習曲第3番 ホ長調 「別れの曲」 Op.10-3 | Yukio Yokoyama | E Major | 1 | 12B | 72 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
Valse, Op. 38 | Alexander Scriabin, Philippe Cassard | B♭ Minor | 0 | 3A | 69 BPM |