Johann Sebastian Bach, Axel Gillison's 'Prelude and Fugue in C-Sharp Minor, BWV 849: I. Prelude' came out on June 22, 2018. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Some Bach". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Sweden. Prelude and Fugue in C-Sharp Minor, BWV 849: I. Prelude is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prelude and Fugue in C-Sharp Minor, BWV 849: I. Prelude by Johann Sebastian Bach, Axel Gillison having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Minor | 4 | 7A | 120 BPM | ||
Variatio 1. a 1 Clav. | Kimiko Ishizaka | G Major | 4 | 9B | 103 BPM | ||
Nocturnes, Op. 37: No. 1, Andante sostenuto in G Minor | Frédéric Chopin, Axel Gillison | B♭ Major | 0 | 6B | 110 BPM | ||
Gottes Zeit ist die allerbeste Zeit, Cantata BWV 106: 1. Sonatina (Arr. Otto Schröder) | Antony Gray | E♭ Major | 0 | 5B | 72 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, Carl Petersson | C Major | 1 | 8B | 140 BPM | ||
Keyboard Sonata in D Minor, Wq. 54/3, H. 184: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 1 | 8B | 108 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
3 Gymnopédies: II. Lent et triste | Erik Satie, Axel Gillison | D Major | 0 | 10B | 70 BPM | ||
Waltzes, Op. 39: No. 3 in G-Sharp Minor | Johannes Brahms, Axel Gillison | G Minor | 1 | 6A | 82 BPM |