Traditional Welsh, Avi Avital's ' "Hen Ferchetan - Commentary" was released on its scheduled release date, January 1, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 38 in Between Worlds (Including Spotify Commentary) by Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Hen Ferchetan - Commentary is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hen Ferchetan - Commentary by Traditional Welsh, Avi Avital is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 141 BPM | ||
Chariots Of Fire: Main Theme | Boston Pops Orchestra, John Williams | D♭ Major | 3 | 3B | 123 BPM | ||
Elizabeth - Original Motion Picture Soundtrack: Night of the Long Knives (After Byrd) | David Hirschfelder, Kim Wheeler, Australian Boys Choir | C Minor | 1 | 5A | 77 BPM | ||
Wallom Green (From The English Dancing Master) | John Playford, Bjarte Eike, Barokksolistene | G Minor | 4 | 6A | 135 BPM | ||
Rinaldo, HWV 7b: "Lascia ch'io pianga" | George Frideric Handel, Cai Thomas, The Bourne Ensemble, Julian Cooper, Robert Lewis | F Major | 1 | 7B | 115 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Serse, HWV 40, Act I: Ombra mai fù, "Largo" | George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 1 | 5B | 153 BPM | ||
Skye Boat Song; Scotland the Brave; Mairi's Wedding; Barren Rock | Pipes and Drums of The London Scottish Regiment | F Minor | 8 | 4A | 191 BPM | ||
Weep You No More Sad Fountains - Voice | Patrick Doyle, Jane Eaglen, Robert Ziegler | E♭ Major | 2 | 5B | 95 BPM | ||
Peerie's Air | The Hudson Swan Band | G Major | 3 | 9B | 75 BPM |