Pierre Boulez, Pi-hsien Chen made "Troisième sonate pour piano (1955-57): I Trope - Texte" available on 2005. With Troisième sonate pour piano (1955-57): I Trope - Texte being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Notations & Piano Sonatas". In this album, this song's track order is #19. Troisième sonate pour piano (1955-57): I Trope - Texte is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Troisième sonate pour piano (1955-57): I Trope - Texte by Pierre Boulez, Pi-hsien Chen having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moses und Aron / Act II: Tanz der Schlächter | Arnold Schoenberg, Royal Concertgebouw Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 81 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con introduzione | Alban Berg, Daniel Barenboim, Pinchas Zukerman, Ensemble Intercontemporain, Pierre Boulez | C Major | 2 | 8B | 105 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 69 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Symphony No. 5 In C Sharp Minor: II. Stürmisch bewegt. Mit größter Vehemenz | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | B♭ Minor | 2 | 3A | 82 BPM |