Georges Bizet, Katarina Jovanovic, Philippe Do, Mark Schnaible, Orchestre National de Lille, Jean-Claude Casadesus's 'Clovis et Clotilde: Introduction' came out on November 16, 2010. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 17 in Bizet: Clovis et Clotilde - Te Deum by Georges Bizet, Jean-Claude Casadesus. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Clovis et Clotilde: Introduction is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clovis et Clotilde: Introduction by Georges Bizet, Katarina Jovanovic, Philippe Do, Mark Schnaible, Orchestre National de Lille, Jean-Claude Casadesus is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne, Vol. 1: No. 1. Jou L'pount D'o Mirabel (On Mirabel Bridge) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Minor | 1 | 12A | 91 BPM | ||
La fille du tambour-major: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | G Minor | 2 | 6A | 63 BPM | ||
Symphony No. 1 In C Minor, Op. 68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 75 BPM | ||
Les Pêcheurs de perles, WD 13, Act II: Leïla! Leïla! | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs | B♭ Minor | 1 | 3A | 92 BPM | ||
Symphonie en Si Bémol Majeur, Op. 20: I. Lent - Allegro vivo | Ernest Chausson, Orchestre National de Lille, Alexandre Bloch | B♭ Major | 1 | 6B | 70 BPM | ||
Carmen, WD 31, Act IV: A deux cuartos (Street Sellers) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F♯ Major | 2 | 2B | 117 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): X. Ein Tanz von Rüppeln / Danse bergamasque | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | B Major | 1 | 1B | 125 BPM | ||
Suite provençale, Op. 152d: VIII. Vif | Darius Milhaud, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 2 | 9B | 104 BPM | ||
Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
Les aventures du Roi Pausole - "Pardon, mon papa que j'adore": Pardon, mon papa que j'adore | Arthur Honegger, Julie Fuchs, Orchestre National de Lille, Samuel Jean | D Major | 1 | 10B | 112 BPM |