Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble's 'Wassail Song' had a release date set for September 1, 1991. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Wassail Song's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Wassail Song is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wassail Song by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymn for Lent: Tebe odeyushchagosia svetom (Thou, who art clothed in light). For male choir | Traditional, Chamber Choir, Lege Artis | B Minor | 2 | 10A | 135 BPM | ||
Stift Heiligenkreuz Bells | Traditional, Cistercian Monks of Stift Heiligenkreuz | C Major | 1 | 8B | 89 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Pavane, Gaillarde & Branle de Champagne | Claude Gervaise, Enrike Solinís, Euskal Barrokensemble | G Minor | 2 | 6A | 85 BPM | ||
The Joviall Broome Man | John Playford, Baltimore Consort | C Major | 2 | 8B | 105 BPM | ||
Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
Allá se me ponga el sol à 4 | Juan Ponce, Huelgas Ensemble, Paul Van Nevel | D Minor | 0 | 7A | 176 BPM | ||
Before Thy Cross | "The Orthodox Singers" Male Choir, Georgiy Smirnov | G Minor | 0 | 6A | 75 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | D Major | 1 | 10B | 74 BPM |