"Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes" by Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann was released on March 4, 2016. With Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Schnittke: Penitential Psalms". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Sacred Hymns: I. Gegrüßet seist du, Jungfrau, Mutter Gottes by Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 6. La dipartita e amara a 4 | Luca Marenzio, Ensemble Pygmalion, Safir Behloul, Renaud Brès, Raphael Pichon, Zachary Wilder, Davy Cornillot, Lucile Richardot, Maïlys De Villoutreys | G Minor | 2 | 6A | 109 BPM | ||
3 Psalms, Op. 78: No. 3, "Mein Gott, warum hast du mich verlassen?" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A♭ Major | 2 | 4B | 83 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Canon in Memory of Igor Stravinsky | Alfred Schnittke, Kronos Quartet | D Minor | 1 | 7A | 92 BPM | ||
Peer Gynt: V. Pas de deux: Solveig-Peer | Alfred Schnittke, Stockholm Royal Opera Orchestra, Eri Klas | C Minor | 0 | 5A | 137 BPM | ||
O pulcherrima mulierum a 5 | Jacques Arcadelt, Chœur De Chambre De Namur, Leonardo García-Alarcón, Adrià Gracia | B♭ Minor | 1 | 3A | 81 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
Eleven Gypsy Songs, Op. 103: III. Wißt ihr, wann mein Kindchen am allerschönsten ist? | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Requiem, Op. 9 (1961 version): Agnus Dei | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | C Major | 0 | 8B | 126 BPM | ||
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM |