"The Father (From "East of Eden")" by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge was released on September 6, 2016. The duration of The Father (From "East of Eden") is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Father (From "East of Eden")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in East of Eden: Motion Picture and Television Scores of Lee Holdridge by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge. Based on our statistics, The Father (From "East of Eden")'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Father (From "East of Eden") by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes | G Minor | 1 | 6A | 133 BPM | ||
Carnival of the Animals: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
Prelude a l'apres-midi d'un faune, L. 86 | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 0 | 3B | 77 BPM | ||
Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
The Riders of Rohan | Howard Shore | G Major | 3 | 9B | 171 BPM | ||
Romantic Flight - From How To Train Your Dragon Music From The Motion Picture | John Powell | F♯ Major | 3 | 2B | 104 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): VI. Les toréadors | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 3 | 11B | 128 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM |